the destruction of architecture, the desolation of a population’s connection with its native space is a tactic that both physically and psychologically seeks to crush a people's spirit. to see one’s cultural symbols defaced or destroyed is accompanied, not only with a loss, but with an offense against one's cultural identity. but this severance between identity and a symbol that functions to territorialize one's identity need not be negative. what the horror of the loss does not expose is the nihilistic meaning associated with such symbols. one mourns for what is destroyed but melancholically searches for what was repressed in the original acceptance of these now defunct symbols. we may mourn for the object of the loss, but we actually mourn for ourselves, that we deified such objects in the first place. if memory is tied to place, the destruction of place doesn't necessarily imply the destruction of memory, but worse– what is destroyed is one's connection to memory. instead of losing the memory altogether, one is haunted by a memory that cannot be placed.
Read Morethis post attempts to explain how we understand ‘binary’. through the course of this explanation we complexify and challenge preconceived notions of concepts like language and identity.
when we refer to ‘binary’ here on mxdflz, we use it pejoratively. it’s a concept we lament and resist. we lament the binary because it induces– and is simultaneously amplified by– identity politics, which expresses the default state of human relations today. binary influence is found wherever there exists territorial divisions– oppositions and competition– based on dominant identity categories. these have their origin in the fundamentally structural distinction between self and other, which is a consequence of man’s disjunction from and displacement within nature.
beware, this post gets a bit academic, and is very much philosophical and psychoanalytic.
Read More"...what gets to me most about a musical is its celebratory force. celebration is different from victory. victory is a momentary binary outcome and dismisses the complexity of relations between forces. the celebration, on the other hand, lasts for a duration and intends not for resolution, but for expression. celebration is like the process of mourning, but joyfully..."
in this post i riff on musicals, and why i’m such a sucker for them. also, i touch upon what it’s like to go ‘off-script’ and to forge your own path within the somewhat cheesy, but sincere, context of a mixed relationship, which expresses, in large part, what mxdflz is about.
Read More"...to think of 'mixed' as just another label that can be slapped onto a character description is to misunderstand it entirely, not to mention perpetuating a monoracial worldview. representation is disembodying, it's abstraction, it plays into identity politics. rather, what we're about is expression. and an expression is always embodied..."
Read More"...this scene here is interesting. it highlights the subtle difference between being 'mixed' and being 'half'. the difference is not merely one of semantics..."
Read Morea small challenge. can you spot what's missing from this screenshot? just another reason we're such huge fans of the fast and furious series...
Read More"decomposition is simultaneously recomposition. one break necessitates a re-connection elsewhere, and life will go on... until a body is no longer able to make connections that augments its capacity to endure. until it is no longer able to flow..."
Read More"the crashing wave is not proof that the dead are among us; rather the wave is evidence that death is merely conceptual, not real. life is the perpetual recomposition of energy, the transfer of energy from one material body to another. from human body...to elemental wave"
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